As I’ve mentioned before, I’m currently working on two different revision projects. One is Contamination, the sequel to Manifestation. I’m currently about 80% of the way through Draft 2 (and I need to update that progress bar on the right to show that). I’m mostly working on line edits, making sure everything reads well and is clear, adding descriptive details where needed, and looking for plot holes that need filling or scenes that need cutting.
The second project is my Rowan University Master’s in Writing Thesis Project, a.k.a. Arcana Revived Volume Six (currently untitled). I’m pretty much doing the same thing there that I am on Contamination: basic edits and cleaning up the prose. I’m not to the point yet where I can make major changes since I need more time analyzing what is already there. I already have a few ideas on chapters that need to be cut, but I’m not to the point yet of making those decisions.
Normally, I wouldn’t be working on both of these projects at once. After all, Contamination is book two, so why be working on book six? Well, because I need to for school. Book six obviously won’t be published for quite some time, and I’m only doing the amount of work on it now that I need to for it to be “complete” in terms of what the thesis project requires. Mostly this means focusing on polishing up the first 30,000 words, and leaving the rest for later.
However, I’m running into a slight issue on Book Six that I’m not running into on Contamination, and I think I’ve figured out why. I don’t have enough distance from the first draft yet.
See, I wrote the first draft of Contamination for NaNoWriMo 2013. I’ve had close to a year and a half to get some objectivity about what I’ve written, so I can look at it and decide what needs to be changed, what needs to be cut, what’s working, and what isn’t. It’s a lot easier to say “Okay this is crap, it needs to go” on a scene or chapter that I wrote so long ago. It’s not so easy to do that with Book Six, which I just wrote a few months ago, for NaNoWriMo 2014.
The result is that I feel like I’m slogging through each chapter on Book Six, but I have no trouble with Contamination. The revisions on Book Six feel too “big.” I’m having trouble looking at individual issues instead of seeing the whole novel as, from the point of view of my critical side, one big steaming pile of crap. I’m still too connected to the rush and joy I felt writing the first draft and all the fragile emotions that go along with it.
In his book, On Writing, Stephen King says that when you finish a draft, you should put it in a drawer for six weeks or more. This is so that you can come at it with a fresh perspective. I feel like I need a little more than six weeks. Maybe six months? Which means that if I didn’t have a deadline, I’d be shelving everything to do with Book Six for a long time, until I’m more ready to deal with it. Which is besides the fact that I’ve got four other novels to revise before I touch that one.
I’m not really sure how to address this issue right now, since I need at least one revision of the first 30,000 words before March 1st. Which is totally doable for me in terms of the amount of work that I need to get done in that time frame, but less doable from an emotional point of view.
For the time being, my solution is to focus on Contamination. I’ve got a self-imposed deadline to finish that one by March 1st as well, and I’m more confident in my ability to do that. And maybe, by working on a different project for awhile, I’ll remove myself from Book Six a bit and be able to come back in during crunch time and get it done.
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